Rare

わたしの心を聴いてほしい。
セレーナ・ゴメスが、すべてを注ぎ込んだ約4年ぶりのオリジナル・アルバムのLP

歌手、女優、インスタクイーンとして"圧倒的女王"の地位を確立してきたセレーナ・ゴメス(27)。今作では、自身初となる全米1位を獲得とした最新シングル「Lose You To Love Me」、「Look At Her Now」他収録。

幅広く報じられた元恋人との破局や、難病、活動休止など、この数年間で直面したあらゆる困難や挫折を乗り越え、やっと本当の自分に辿りついた。心のすべてを映し出した、強さと優しさ溢れるニュー・アルバム『レア』とともにセレーナが帰ってきた。

The big news for Selena Gomez before the release of her sixth album, Rare, is that she finally had a number one single after years of getting close. The introspective and emotionally raw ballad Lose You to Love Me surrounded Gomezs aching vocals with sparse piano, swirling strings, and lush background vocals, and connected instantly with her fans and anyone who ever had to ditch someone in order to save themselves. That song, and the record it appears on, mark something of a turning point in her career. Where in the past she focused mostly on breezy sentiments, playful frothy pop, and more recently sexy come-ons, now shes digging deeper and mining her own life and loves for subject matter in more obvious and revealing ways. It may not be totally confessional -- and each song is helped to the finish line by teams of professional songwriters -- but within the realm of mainstream modern pop, Rare is surprisingly honest lyrically and Gomez sounds more open and invested in the songs than ever before. Lyrically they range from stripped bare (Lose You, Vulnerable) to empowered (the title track, Look at Her Now) with stops along the way at freedom (the sparkly, French disco-inspired Dance Again), realization (Kinda Crazy), and slyly moving on (Fun). The team pair the words with hooky choruses that are easy to imagine being sung along with really loud and some sure-handed production thats never boring and strays happily into odd territory now and again -- the junky drum sound on Rare, Look at Her Nows chopped-up vocals, the computer-tweaked vocals of People You Know, and the wobbly synths and arrangements of A Sweeter Place crafted by Kid Cudi. Gomezs albums work best when they dont chase trends, or do obvious things, and there is precious little of that here; only the very Havana-esque Ring falls victim to that particular problem. Its highly unlikely that Gomez will ever venture to the cutting edge of pop, but Rare proves that when she has strong songs and the producers get a little weird, shes just enough outside the mainstream to sound fresh. Add in some deeply felt and real emotion like she does here, and it verges on being something special, maybe her best record yet. If it isnt that, its at least her most interesting one yet, and thats something fans of the homogenized pop scene of the era should celebrate. ~ Tim Sendra